Signpost Six: ‘Directed by Sergio Leone’, Brett Evans

This blog simply features poems that have inspired me to write poems. The idea is that – having inspired me – the poems might inspire you, too.

To explain the ‘featured image’, Copyright means I can’t just go grabbing someone else’s Sergio Leone picture from the web and stealing it for my blog, so here’s a picture of a dog with a pint of beer. I happen to know Brett Evans would approve.


Back to the point, here’s the poem, reproduced with the kind permission of the poet:

Directed by Sergio Leone

There’s nothing but waiting around to die, so you choose
how to spend that time: swatting flies on your stubbled
throat whilst waiting for a train or riding through
this one-horse world, hell-bent on creed or trouble.
A bottle of rye, a cheroot beneath the bough
may be enough for those who’re simply chasing
a quieter life. Or you could stand or slouch
between hero, villain, gunslinger and assassin;
your idle fingers twitching whilst waiting on a script
to reveal the character to which you are assigned.
An extra in another’s movie, too late you’ve grasped
that at the bar, in bed, on the street, dying’s just dying.
Your final suspicion, that there must have been so much more;
that there must have been music, an unforgettable score.

At this point, I suggest you find yourself a Sergio Leone soundtrack and open it in another tab, then leave it playing while you come back to this tab and read the poem again.

….ok? Right then…

‘Directed by Sergio Leone’ has a pervading stillness. You soon hear Clint Eastwood speaking, his eyes squinting in the sun, lips pursed around a cheroot.

An attention-grabbing first line, but this inevitability of death is not fatalistic because “you choose how to spend that time”. I was brought up in a strict, fundamentalist and – frankly – abusive environment. Realising that there might not be a god, or a heaven, was a dreadful shock and strain to me, but then the mental progression after that, to realising that if you only have one life, it’s pretty important you get on with living it, was liberating. That’s the issue this poem presents to me and it’s reinforced with the lovely old spaghetti-western word, “creed”.

The choices move from the banal “swatting flies”, to “riding… hell-bent”,  from“slouch” to “stand”, from “assassin” to “hero” or, of course, the other way around.

However, the environment in which all these choices take place is a “one-horse world” and there’s a feeling of helplessness in having to “wait… on a script” and that you are “an extra in another’s movie”. The poignancy of this and the sadness of being “too late” in realising that “dying’s just dying” is heartbreaking.

To me that poignancy perfectly shows how I felt when I “lost my faith”, as mentioned above. The beauty of the final two lines, though, must leave us ensuring we don’t waste a second, but look for the “music” in our lives; seek out our own “unforgettable score”. This is a cautionary tale, a fable.

Remember me mentioning in a previous blog how a poem needs to “soar”? Your poem needs to go somewhere; it must have a crescendo. This poem moves from the inevitability of death, to the possibility of an unforgettable life.

‘Directed by Sergio Leone’ inspired me to write a poem set in a silent movie. You could write one set in a cartoon, or a horror film or any genre that tickles your tastebuds. It could also inspire you to go from a negative in life (or death) to a positive. Or a positive to a negative – if you must.

It comes from Brett Evans’ Indigo Dreams pamphlet, ‘The Devil’s Tattoo’, which you can buy using this link:


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